On Introducing Karl Blau the enigmatic vocalist charts a new vision of country music.
A Northwest indie hero, Blau channels darkness and hope in a cinematic collection of Nashville country hits from the 1960’s and 70’s. Produced by Tucker Martine, the record features performances by Jim James (My Morning Jacket), Laura Veirs, Jon Hyde, Eli Moore (Lake), Steve Moore (Earth, SunnO), among others.
It all started with cutting a 7” single, a cover of the 1969 Tom T. Hall hit “That’s How I Got to Memphis”. Blau, whom Martine had come to know from sessions with Laura Veirs among others, asked if he could try singing it. “I knew what a special artist Karl was, but I had no idea what a powerful interpreter of songs he was,’ Martine says. The collaboration, pairing Blau’s deeply sonorous voice with Martine’s warm, modern arrangements, recast the Nashville hit in a new light. “He was able to communicate the essence of the song in such a moving way that we started dreaming of making a whole record based around our excitement for that collaboration.” The result was the single and, now, Introducing Karl Blau.
Martine and Blau worked for years on shaping the narrative of the record. “I feel like I am starring in this country-western movie, written and produced by Tucker, and it tells a story,” says Blau. A sense of emergence from the shadows of loss, loneliness, infidelity, and melancholy runs through Introducing Karl Blau. “We’ve threaded a story through the record,” says Blau. “My character is moving through this dark place, but there is always this light of hope.”
The record, all covers, is a crate-digger’s feast of forgotten hits and deeper cuts; most of them from the Nashville country-soul renaissance in the late 1960s and early 70s – Tom T. Hall, Bobby Bond, Allen Reynolds. Other songs are from the Bee Gees (To Love Somebody), Link Wray (Fallin’ Rain), or Townes Van Zandt (If I Needed You). The project was a labor of love for Martine, the son of a Nashville songwriter who grew up listening to many of these songs.
As for the title, Introducing Karl Blau, Martine says “In spite of Karl’s prolific catalog of records I still feel that not nearly enough people have had the opportunity to hear this man. With any luck this album will help change that.”